During the last decade the major research fields were in the areas of visual perception, cognitive process and graphical solutions for various “Signs” aspects. First attempts to design a framework for such a circle of problems were been set during Chicago Art Institute Computer Graphics Program and widened later in Atlanta Georgia Institute of Technology, where, besides performing studies on improved design principles, I was attending numerous classes of computer cognitive science and technical graphics workshops.
Position for Coke was directly connected to the research interest and included developing and implementing the visual system for inter-linkage of international offices with the primary target of clarifying and simplifying communication. Graphical interfaces and business action signs creation, based on perceptive interpretation and semantics flexibility, were part of the Project.
Those principles and elements later been used for my own Creative Improvement Program, the one has been running in Tokyo, Japan. The principles of the program, among others, are included the processes of perception, cognitive process and personal interpretation of images as an important contextual elements.

My professional contribution also including accomplished artists experience with prolific work in graphics with number of international exhibitions and creative projects:



EXHIBITIONS

2009 Toriizaka Art Gallery, Tokyo, Japan
2008 Promo-Arte Gallery, Tokyo, Japan
2007 Gallery 54, London, UK
2004 Discovery Channel Gallery, London
2002 Saint Mary-le-Bow Church Exhibitions Hall, London, UK
2000 Tartu University Library, Tartu, Estonia

1993 Java Gallery, Chicago, Illinois, USA
1992 Church of St. Bartholomew, Copenhagen, Denmark
1989 Tartu University Library, Tartu, Estonia 



CREATIVE PROJECTS (concepts and participation)

2005 Salon des Artes, London, UK
2000 Tartu Art House, Tartu, Estonia 

1997 Dot Gallery, Atlanta, Georgia, USA
1995 Pearl Gallery, Chicago, Illinois, USA 


Also during the period of studying in Georgia Institute of Technology in Atlanta, had had participated in numerous internal conferences, included “Media Tomorrow” organized by CNN

ETIS KLASSIFIKAATOR: 2. Ühiskonnateadused ja kultuur; 2.14. Kommunikatsiooni- ja infoteadused; CERCS KLASSIFIKAATOR: S265 Meedia ja kommunikatsiooniteadused

General contribution – an extensive experience in BOTH fields related to the prospective Project: theoretical and in graphics. The second one is essential for developing and analyzing GRAPHICAL and visual models and modules as a critical part of the research.
Living and visiting over 20 countries is also essential help for such an International culturological and semiotics research. This experience gives an ability to compare different cultural and social backgrounds and to analyze it roots and specifics with much deeper and detailed attention.
Contacts with number of international creative agencies, institutes and companies, might play a significant role for the Project and for further developing strategy

During the last decade the major research fields were in the areas of visual perception, cognitive process and graphical solutions for various “Signs” aspects. First attempts to design a framework for such a circle of problems were been set during Chicago Art Institute Computer Graphics Program and widened later in Atlanta Georgia Institute of Technology, where, besides performing studies on improved design principles, I was attending numerous classes of computer cognitive science and technical graphics workshops.
Position for Coke was directly connected to the research interest and included developing and implementing the visual system for inter-linkage of international offices with the primary target of clarifying and simplifying communication. Graphical interfaces and business action signs creation, based on perceptive interpretation and semantics flexibility, were part of the Project.
Those principles and elements later been used for my own Creative Improvement Program, the one has been running in Tokyo, Japan. The principles of the program, among others, are included the processes of perception, cognitive process and personal interpretation of images as an important contextual elements.

My professional contribution also including accomplished artists experience with prolific work in graphics with number of international exhibitions and creative projects:



EXHIBITIONS

2009 Toriizaka Art Gallery, Tokyo, Japan
2008 Promo-Arte Gallery, Tokyo, Japan
2007 Gallery 54, London, UK
2004 Discovery Channel Gallery, London
2002 Saint Mary-le-Bow Church Exhibitions Hall, London, UK
2000 Tartu University Library, Tartu, Estonia

1993 Java Gallery, Chicago, Illinois, USA
1992 Church of St. Bartholomew, Copenhagen, Denmark
1989 Tartu University Library, Tartu, Estonia 



CREATIVE PROJECTS (concepts and participation)

2005 Salon des Artes, London, UK
2000 Tartu Art House, Tartu, Estonia 

1997 Dot Gallery, Atlanta, Georgia, USA
1995 Pearl Gallery, Chicago, Illinois, USA 


Also during the period of studying in Georgia Institute of Technology in Atlanta, had had participated in numerous internal conferences, included “Media Tomorrow” organized by CNN

Gleb Netchvolodov, Doctor's Degree, 2017, (sup) Peeter Torop, Pictorially simplified images as machine vision development tool: semiotics approach, University of Tartu.

ETIS CLASSIFICATION: 2. Culture and Society; 2.14. Communication and Information Sciences; CERCS CLASSIFICATION: S265 Press and communication sciences