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Pia Tikka

https://www.etis.ee/CV/Pia_Tikka/est
10.05.1961
+372 522 4013
piatikka@tlu.ee
See CV in English

Teenistuskäik

Töökohad ja ametid
2017–...   
Tallinna Ülikool, Balti filmi, meedia, kunstide ja kommunikatsiooni instituut, Juhtivteadur (1,00)
01.06.2014–30.06.2017   
Aalto University, Department of Media, Helsinki, Finland, Vanemteadur (1,00)
01.10.2009–31.05.2014   
Aalto University, Department of Film, Television and Scenogrpahy, Researcher in a multidisciplinary neuroscience project aivoAALTO (1,00)
01.09.2002–30.08.2006   
Aalto University, Department of Film, Television and Scenography, Researcher at the doctoral School Elomedia (1,00)
 
 
Haridustee
2000–19.12.2008   
PhD
01.09.1989–30.05.1996   
Elokuvaaja
01.09.1980–30.05.1982   
Mainosgraafikko
 
 
Teadusorganisatsiooniline ja -administratiivne tegevus
2011−...   
Principal Investigator in NeuroCine research project
2009−...   
Researcher
2003−...   
Principal Investigator of Enactive Cinema and media
2014−2017   
Director of Crucible Studio, Dept. of Media, Aalto University School of ARTS
 
 
Loometöö
Enactive Cinema and Media: Designing original interactive cinema formats; inventing enactive montage system for managing viewer experience in realtime in cinema installations; inventing and developing humanlike Enactive avatar; publishing disseminations; organizing workshops; international collaboration networking.
1989 – on-going

Filmography includes film productions as screenwriter, director, cinematographer, producer and other positions

International filmography includes own feature films 2, documentaries 3, shortfilms 6, interactive films 3, music videos 2, with broad experience in international film productions 12..
Feature-film in development (idea & direction Pia Tikka)
Maiden of Dusk, co-production between Finland, Estonia, Denmark, t.b.c., scheduled production for 2020

See mood movie at https://youtu.be/VF7WkWc9qqw.
 
 
Lisainfo
Interdisciplinary career includes work in advertising since 1976; in feature film productions since 1989; in Interactive film and media work since 2000; and in neurocinematic research since 2009.;

Kvalifikatsioon

Teaduskraadid
Pia Tikka, doktorikraad, 2008, (juh) Pirjo Honkasalo; Eeva Kurki, Enactive Cinema:Simulatorium Eisensteinense, Aalto University.
 
 
Teaduspreemiad ja tunnustused
2016, Pia Tikka, The Title of Adjunct Professor in New Narrative Forms awarded in University of Lapland
2016, Pia Tikka, Lifetime Fellow of Society for Cognitive Studies of Moving Image (US)
2010, Pia Tikka, Member of European Film Academy (EFA)
 
 
Teadustöö põhisuunad
ETIS KLASSIFIKAATOR: 2. Ühiskonnateadused ja kultuur; 2.5. Kunstiteadus; CERCS KLASSIFIKAATOR: H330 Draamakunst; TÄPSUSTUS: Interactive and enactive cinema and media
ETIS KLASSIFIKAATOR: 2. Ühiskonnateadused ja kultuur; 2.8. Psühholoogia; CERCS KLASSIFIKAATOR: S264 Eksperimantaal- ja rakenduspsühholoogia; TÄPSUSTUS: Narrative Cognition, NeuroCinematic studies, functional neuroimaging

Jooksvad projektid

Lõppenud projektid

Juhendamisel väitekirjad

Juhendatud väitekirjad

Publikatsioonid

Klass
Aasta
Publikatsioon
 
1.1.
2019
Schoeller, Felix; Bertrand, Philippe; Gerry, Lynda Joy; Jain, Abhinandan; Horowitz, Adam Haar; Zenasni, Franck (2019). Combining Virtual Reality and Biofeedback to Foster Empathic Abilities in Humans. Frontiers in Psychology, 9.10.3389/fpsyg.2018.02741.
1.3.
2019
Kaipainen, Mauri; Tikka, Pia (2019). Keinoäly ja taide. Mitä jäljellä hypehälyn jälkeen? Irmeli Hautamaki, Helena Sederholms. Avantgarde, tiede ja teknologia (7−28). Helsinki: Publications of Finnish Association for Avant-Garde and Modernism, No. 2..
3.1.
2019
Tikka, Pia, Kaipainen, Mauri (2019). Intersubjectivity, Idiosyncrasy, and Narrative Deixis: A Neurocinematic Approach. In: Marina Grishakova and Maria Poulaki (Ed.). Narrative Complexity Cognition, Embodiment, Evolution (314−337). University of Nebraska Press. (Frontiers of Narrative Series).
3.2.
2019
Tikka, Pia; Bastamow, Tanja; Gerolin, Iga; Gerry, Lynda Joy; Pardinho, Victor; Kaipainen, Mauri; Kosunen, Ilkka. (2019). The State of Darkness: Non-human narratives embedded in the encounters with artificial agents. In: Lissa Holloway-Attaway and Néill O'Dwyer (Ed.). Non-Human Narratives. Carnegie Mellon Press [ilmumas].
5.1.
2019
Kosunen, Ilkka; Rosic, Jelena; Kaipainen, Mauri; Tikka, Pia (2019). Phenomenology of the Artificial. Drafting a Holistic Ontology of Experience for Affective Computing. ACII Cambridge 2019, September 4, 2019. Cambridge, UK: 8th International Conference on Affective Computing & Intelligent Interaction (ACII 2019), Cambridge, United Kingdom,.
5.1.
2019
Rosic, Jelena; Kosunen, Ilkka; Tikka, Pia (2019). From Lived experience to empirical data. Steps toward the Science of Embodied Cognition. ACII 2019, Cambridge, September 4, 2019. Campridge: 8th International Conference on Affective Computing & Intelligent Interaction (ACII 2019), UK,.
5.2.
2019
Tikka, Pia (2019). Narrative Sense-Making – A Neurocinematic Approach. In: INVITED TALK.26.03.2019 Frankfurt am Main, Germany.
5.2.
2019
Tikka, Pia (2019). Enacting Co-presence. KEYNOTE Interdisciplinary conference Acting the Future: Actor and Avatar conference. The Zürich University of Arts, ZHdK,.
1.1.
2018
Kauttonen, Janne; Hlushchuk, Yevhen; Jääskeläinen, Iiro P; Tikka, Pia; (2018). Brain mechanisms underlying cue-based memorizing during free viewing of movie Memento. NeuroImage, 172, 313−325.10.1016/j.neuroimage.2018.01.068.
1.1.
2018
Lankinen, Kaisu; Saari, Jukka; Hlushchuk, Yevhen; Tikka, Pia; Parkkonen, Lauri; Hari, Riitta; Koskinen, Miika; (2018). Consistency and similarity of MEG- and fMRI-signal time courses during movie viewing. NeuroImage, 173, 361−369.10.1016/j.neuroimage.2018.02.045.
1.1.
2018
Tikka, Pia; Kauttonen, Janne; Hlushchuk, Yevhen (2018). Narrative comprehension beyond language: Common brain networks activated by a movie and its script. PLoS ONE, 13 (7), e0200134−e0200134.10.1371/journal.pone.0200134.
1.2.
2018
Tikka, Pia; Kaipainen, Mauri (2018). Screendance as enactment in Maya Deren’s At Land [Republication]. DATJournal Design Art and Technology, 3 (1), 9−28.
5.2.
2018
Tikka, Pia; Pardinho, V; Bastamow, T; Kosunen, I; Tikka, Eeva R; Gerolin,I (2018). The State of Darkness -VR experience. International Conference for Interactive Digital Storytelling 2018: ICIDS2018, Art Exhibition. Trinity College, Dublin: Science Gallery,.
5.2.
2018
Tikka, P; Hannukainen, Jenni; Himberg, Tommi; Sams, Mikko (2018). Narrative priming of moral judgments in film viewing. International conference: Worlding the Brain Conference, Aarhus University. Aarhus University,.
5.2.
2018
Kondinska, A; Kosunen, I; Ajenaghughrure, IB; Becken, M.; Gerry, LJ; Tikka, P. (2018). The Booth: An Exploration of Enculturation Effects of Trust and Empathy towards Refugees. Worlding the Brain, 27-29 November 2018, Denmark. Aarhus University,.
5.2.
2018
Tikka, P (2018). Neurocinematics & Art-Science Collaboration. KEYNOTE Interdisciplinary art-sci conference: The Collaborative Turn in Art: The Research Process in Artistic Practice; October 19-20, 2018; Estonia. Estonian Academy of Arts,.
5.2.
2018
Tikka, p; Kaipainen, M (2018). Triadic epistemology of narrative experience. The Third Renewable Futures Conference: Hybrid Labs Symposium, Aalto Studios. Aalto University and Leonardo art-science network,.
5.2.
2018
Tikka, Pia; Jaroszewicz, Martin (2018). Enactive Virtuality - a framework for dynamically adaptive soundscapes. International conference CILECT: Sound and Storytelling,. Chapman University,.
5.2.
2018
Suomala, Jyrki; Hannukainen, J., Tikka, Pia; Kauttonen, Janne (2018). Tekoäly viestin luotettavuuden arvioijana. Media conference: Totuudenjälkeinen aika. Helsingin Sanomain Säätiö ,.
5.2.
2018
Tikka, Pia (2018). On Neurocinematics. International Brain Awareness Week. Tallinn University,.
6.3.
2018
Tikka, Pia; Onno, Kerli (2018). Movies that "read" your emotions. TimeFlies Nordica pardaajakirj , talv/kevad, 68−69.
6.3.
2018
Tikka, P (2018). Cinema, storytelling and the mind. Lehtiset, 2.
6.7.
2018
Tikka, Pia; Kosunen, Ilkka (2018). Creating Autonomous Behavior of Virtual Humanlike Characters in Interaction with Human Participants. In: Industry engagement event.ACE International Producer network. Miltton and Aalto Studios.
6.7.
2018
Tikka, P; Pardinho, V (2018). Enactive Avatar. In: Industry engagement event.EEVR meet-up. Tartu University.
6.7.
2018
Tikka, P (2018). Neurocinematics. In: Tallinn University Day. Tallinn University.
5.2.
2017
Tikka, Pia (2017). Lighting the neural scene of storytelling - A neurocinematic approach. KEYNOTE International research-to-practice conference: Lighting Design. CLD ITMO University,.
5.2.
2017
Tikka, Pia (2017). Exploring the interdisciplinary frontiers of cinematic arts and sciences. KEYNOTE: CILECT conference: Transmedia & Interdisciplinary Approaches. ZHdK, Zürich ,.
1.1.
2016
de Borst, Aline W; Valente, Giancarlo; Jääskeläinen, Iiro P; Tikka, Pia (2016). Brain-based decoding of mentally imagined film clips and sounds reveals experience-based information patterns in film professionals. NeuroImage, 129, 428−438.10.1016/j.neuroimage.2016.01.043.
1.1.
2016
Lankinen, Kaisu; Smeds, Eero; Tikka, Pia; Pihko, Elina; Hari, Riitta; Koskinen, Miika; (2016). Haptic contents of a movie dynamically engage the spectator's sensorimotor cortex. Human Brain Mapping, 37 (11), 4061−4068.10.1002/hbm.23295.
3.1.
2016
Tikka, Pia; Kaipainen, Mauri; (2016). Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations. In: Douglas Rosenberg (_EditorsAbbr). The Oxford Handbook of Screendance Studies (303−320). Oxford University Press.
1.1.
2015
Kauttonen, Janne; Hlushchuk, Yevhen; Tikka, Pia (2015). Optimizing methods for linking cinematic features to fMRI data. NeuroImage, 110, 136−148.10.1016/j.neuroimage.2015.01.063.
3.1.
2015
Tikka, Pia; Kaipainen, Mauri; (2015). Embodied Protonarratives Embedded in Systems of Contexts: A Neurocinematic Approach. In: Michael Grabowski (_EditorsAbbr). Neuroscience and Media: New Understanding and Representations (76−88). Routledge.
3.2.
2015
Tikka, Pia; Kaipainen, Mauri; (2015). Phenomenological considerations on time consciousness under neurocinematic search light. In: Adriano D’Aloia and Ruggero Eugeni (_EditorsAbbr). Cinéma&Cie. Neurofilmology. Audiovisual Studies and the Challenge of Neuroscience (91−102). Mimesis International.
1.1.
2014
Boldt, Robert; Seppä, Mika; Malinen, Sanna; Tikka, Pia; Hari, Riitta; Carlson, Synnöve (2014). Spatial variability of functional brain networks in early-blind and sighted subjects. NeuroImage, 95, 208−216.10.1016/j.neuroimage.2014.03.058.
1.1.
2014
Tikka, Pia; Kaipainen Mauri; (2014). From naturalistic neuroscience to modeling radical embodiment with narrative enactive systems. Frontiers in Human Neuroscience, 8.10.3389/fnhum.2014.00794.
1.1.
2014
Salmi, Juha; Glerean, Enrico; Jääskeläinen, Iiro P; Lahnakoski, Juha M; Kettunen, Juho; Lampinen, Jouko; Tikka, Pia; Sams, Mikko; (2014). Posterior parietal cortex activity reflects the significance of others' actions during natural viewing. Human Brain Mapping, 35 (9), 4767−4776.10.1002/hbm.22510.
1.2.
2014
Tikka, Pia; Kaipainen, Mauri (2014). Phenomenological considerations on time consciousness under neurocinematic search light. Cinéma & cie : International film studies journal, XIV, 22−23.
3.1.
2014
Pugliese, Roberto; Tikka, Pia; Kaipainen, Mauri; (2014). Navigating story ontospace: Perspective-relative drive and combinatory montage of cinematic content. In: Raivo Kelomees and Chris Hales (_EditorsAbbr). Expanding Practices in Audiovisual Narrative (105−128). Cambridge Scholars Publishing.
3.4.
2014
Kauttonen, Janne; Kaipainen, Mauri; Tikka, Pia; (2014). Model of narrative nowness for neurocinematic experiments. OASIcs, 41, 77−87.
1.1.
2013
Boldt, Robert; Malinen, Sanna; Seppä, Mika; Tikka, Pia; Savolainen, Petri; Hari, Riitta; Carlson, Synnöve (2013). Listening to an audio drama activates two processing networks, one for all sounds, another exclusively for speech. PLoS ONE, 8 (5).
1.1.
2012
Tikka, P.; Väljamäe, A.; de Borst, A.W.; Pugliese, R.; Ravaja, N.; Kaipainen, M.; Takala, T. (2012). Enactive cinema paves way for understanding complex real-time social interaction in neuroimaging experiments. Frontiers in Human Neuroscience, NOVEMBER 2012, 1.10.3389/fnhum.2012.00298.
1.1.
2012
Pamilo, Siina; Malinen, Sanna; Hlushchuk, Yevhen; Seppä, Mika; Tikka, Pia; Hari, Riitta (2012). Functional subdivision of group-ICA results of fMRI data collected during cinema viewing. PLoS ONE, 7 (7).10.1371/journal.pone.0042000.
1.1.
2012
Lahnakoski, Juha M; Salmi, Juha; Jääskeläinen, Iiro P; Lampinen, Jouko; Glerean, Enrico; Tikka, Pia; Sams, Mikko (2012). Stimulus-related independent component and voxel-wise analysis of human brain activity during free viewing of a feature film. PLoS ONE, 7 (4).10.1371/journal.pone.0035215.
1.1.
2011
Tikka, Pia. (2011). Enactive Media – Generalizing from Enactive Cinema. Digital Creativity, 21 (4), 205−214.10.1080/14626268.2011.550028.
1.1.
2011
Kaipainen, Mauri; Ravaja, Niklas; Tikka, Pia; Vuori, Rasmus; Pugliese, Roberto; Rapino, Marco; Takala, Tapio; (2011). Enactive Systems and Enactive Media: Embodied Human-Machine Coupling beyond Interfaces. Leonardo Journal, 44 (5), 433−438.10.1162/LEON_a_00244.
1.1.
2010
Dumitriu, Anna; Holder, John; Tikka, Pia; Whitby, Blay (2010). Enactive Dialectics. Leonardo Journal, 43 (5), 484−485.10.1162/LEON_a_00044.
3.4.
2010
Vuori, Rasmus; Pugliese, Roberto; Kaipainen, Mauri; Tikka, Pia; Takala, Tapio; Ravaja, Niklas; (2010). The Media Fragment Envelope - A pragmatic approach for flexible annotation of multidimensional ontological metadata for generative media. Nordic Conference on Activity Theory. 171.
3.2.
2009
Tikka, Pia (2009). Tracing Tectology in Sergei Eisenstein’s Holistic Thinking. In: Vesa Oittinen (_EditorsAbbr). Aleksandr Bogdanov Revisited (211−234). Helsingin Yliopisto.
2.3.
2008
Tikka, Pia (2008). Enactive Cinema: Simulatorium Eisensteinense. Helsinki: University of Art and Design Publication Series.
1.1.
2006
Tikka, P.; Vuori, R.; Kaipainen, M. (2006). Narrative logic of enactive cinema: Obsession. Digital Creativity, 17, 4, 205−212.
3.1.
2006
Tikka, Pia (2006). Cinema as externalization of consciousness. In: Michael Punt and Robert Pepperell (_EditorsAbbr). Screen Consciousness: Mind, Cinema and World (139−162). Rodopi .
3.2.
2005
Tikka, Pia (2005). Dynamic emotion ecology in cinema. In: Mauri Ylä-Kotola & Sam Inkinen (_EditorsAbbr). Integrated Media Machine (103−126). Rovaniemi: Lapland University Press.
1.1.
2004
Tikka, Pia (2004). (Interactive) Cinema as a Model of Mind. Digital Creativity, 15 (1), 14−17.10.1076/digc.15.1.14.28151.
1.2.
2004
Tikka, Pia (2004). Biological basis of cinema. Leonardo Electronic Almanac, 12 (12).
1.3.
2002
Tikka, Pia (2002). Sergei Eisensteinin kuvakieli dynaamisen mielen näkökulmasta. Lähikuva, 26−41.
6.7.
1998
Tikka, Pia (1998). Sand bride (Hiekkamorsian, Fin).
6.7.
1995
Tikka, Pia (1995). Daughters of Jemenja [Yemanján tyttäret]. Tikka, Pia; Kuittinen, Tuuli.. Helsinki: s.n..
6.01.2020

Pia Tikka

https://www.etis.ee/CV/Pia_Tikka/eng
10.05.1961
+372 522 4013
piatikka@tlu.ee
Dr. Pia Tikka, is a professional filmmaker and EU Mobilitas Research Professor holding EU Mobilitas Plus Top Researcher Grant (2017-2022) at the Baltic Film, Media, Arts and Communication School (BFM) and MEDIT Centre of Excellence, Tallinn University. She holds the honorary titles of Adjunct Professor of New Narrative Media at the University of Lapland, and Fellow of Life in the Society for Cognitive Studies of the Moving Image.

A professional filmmaker with M.A. cinematographer (1996) and Doctor of Arts in cinematography (2008, Aalto University),her previous work history includes ten years as a graphic designer (1979-1989). She has directed feature films Daughters of Yemanjá (Brazil-Finland 1996) and Sand Bride (Finland 1998), as well as several short films, music videos, and documentaries, interactive narrative cinematic systems, as well as has feature film projects in development. She has worked in numerous international feature film productions, including several films by Mika Kaurismäki and The Night on Earth by Jim Jarmusch.
In the field of interactive media, she is the author Enactive Cinema: Simulatorium Eisensteinense (2008), director of the Enactive Cinema Installation Obsession (2005) awarded with Möbius Prix Nordic prize, and co-author of interactive film-game The Third Woman exhibited in Galapagos Art Space, NY (2011). She is a founding member of research project Enactive Media (2009-2011), and acted as Director in Crucible Studio, Department of Media, Aalto University (2014-2017).

In the field of neurosciences, she is the founder and principal investigator of NeuroCine research project (2010 – ongoing). She represented the School of ARTS as a filmmaker and researcher in the multidisciplinary neuroscience research project aivoAALTO (2009-2016), Aalto University, and acted as a core member of the directory group of the project (2010-2014). Her research in neurocinematics is focusing on studying the neural basis of storytelling and creative imagination. She has contributed to the neuroeconomics as a member of the advisory board in NeuroService research project at the Laurea University of Applied Sciences, funded by Tekes, the Finnish Funding Agency for Innovation (2014–2015).

Currently at TLU, her ENACTIVE VIRTUALITY research group studies the viewer’s experience of co-presence emerging in facial encounter with an enactive screen character: Enactive co-presence in narrative virtual reality - a triadic interaction model.

Career

Institutions and positions
2017–...   
Tallinn University, Baltic Film, Media, Arts and Communication School, Research Professor (1,00)
01.06.2014–30.06.2017   
Aalto University, Department of Media, Helsinki, Finland, Director of Crucible Studio; Principal Investigator in NeuroCine research project (1,00)
01.10.2009–31.05.2014   
Aalto University, Department of Film, Television and Scenography, Helsinki, Finland, Researcher in Neurocinematics in a multidisciplinary neuroscience project aivoAALTO (1,00)
01.09.2002–30.08.2006   
Aalto University, Department of Film, Television and Scenography, Helsinki, Finland, Researcher at the doctoral School Elomedia (1,00)
 
 
Education
2000–19.12.2008   
Doctor of Arts
01.09.1989–30.05.1996   
M.A. in cinematography
01.09.1980–30.05.1982   
Graphic Designer in Advertising
 
 
R&D related managerial and administrative work
2011−...   
Managing research activities; supervising postdocs, doctoral students and MA students associated with NeuroCine; designing and conducting original experiments to study narrative film comprehension in Aalto NeuroImaging Center, functional magnetic resonance imaging (fMRI) laboratory; publicing disseminations; organizing workshops; international collaboration networking
2009−...   
Researcher Aalto University, School of Arts, Design and Architecture (former University of Art and Design) Helsinki
2003−...   
Managing research activities; supervising postdocs, doctoral students and MA students associated with enactive cinema and media; designing original interactive cinema formats; inventing enactive montage system for managing viewer experience in realtime in cinema installations; inventing and developing humanlike Enactive avatar; publishing disseminations; organizing workshops; international collaboration networking
2014−2017   
Managing the R&D activities, supervising associated research projects; supervising doctoral students and MA students in film and media
 
 
Creative work
Enactive Cinema and Media: Designing original interactive cinema formats; inventing enactive montage system for managing viewer experience in realtime in cinema installations; inventing and developing humanlike Enactive avatar; publishing disseminations; organizing workshops; international collaboration networking.
1989 – on-going

Filmography includes film productions as screenwriter, director, cinematographer, producer and other positions

International filmography includes own feature films 2, documentaries 3, shortfilms 6, interactive films 3, music videos 2, with broad experience in international film productions 12.

See Artistic portfolio
https://drive.google.com/file/d/0B39gSfFyXbCTMjBJTDRQM21MWTA/view?usp=sharing.
Feature-film in development (idea & direction Pia Tikka)
Maiden of Dusk, co-production between Finland, Estonia, Denmark, t.b.c., scheduled production for 2020

See mood movie at https://youtu.be/VF7WkWc9qqw.
 
 
Additional information
Interdisciplinary career includes work in advertising since 1976; in feature film productions since 1989; in Interactive film and media work since 2000; and in neurocinematic research since 2009.;

Qualifications

Academic degrees
Pia Tikka, Doctor's Degree, 2008, (sup) Pirjo Honkasalo; Eeva Kurki, Enactive Cinema:Simulatorium Eisensteinense, Aalto University.
 
 
Honours & awards
2016, Pia Tikka, The Title of Adjunct Professor in New Narrative Forms awarded in University of Lapland
2016, Pia Tikka, Lifetime Fellow of Society for Cognitive Studies of Moving Image (US)
2010, Pia Tikka, Member of European Film Academy (EFA)
 
 
Fields of research
ETIS CLASSIFICATION: 2. Culture and Society; 2.5. Aesthetics and Arts Research; CERCS CLASSIFICATION: H330 Dramatic art ; SPECIFICATION: Interactive and enactive cinema and media
ETIS CLASSIFICATION: 2. Culture and Society; 2.8. Psychology; CERCS CLASSIFICATION: S264 Applied and experimental psychology ; SPECIFICATION: Narrative Cognition, NeuroCinematic studies, functional neuroimaging
 
 

Projects in progress

Completed projects

Dissertations under supervision

Supervised dissertations

Publications

Category
Year
Publication
 
1.1.
2019
Schoeller, Felix; Bertrand, Philippe; Gerry, Lynda Joy; Jain, Abhinandan; Horowitz, Adam Haar; Zenasni, Franck (2019). Combining Virtual Reality and Biofeedback to Foster Empathic Abilities in Humans. Frontiers in Psychology, 9.10.3389/fpsyg.2018.02741.
1.3.
2019
Kaipainen, Mauri; Tikka, Pia (2019). Keinoäly ja taide. Mitä jäljellä hypehälyn jälkeen? Irmeli Hautamaki, Helena Sederholms. Avantgarde, tiede ja teknologia (7−28). Helsinki: Publications of Finnish Association for Avant-Garde and Modernism, No. 2..
3.1.
2019
Tikka, Pia, Kaipainen, Mauri (2019). Intersubjectivity, Idiosyncrasy, and Narrative Deixis: A Neurocinematic Approach. In: Marina Grishakova and Maria Poulaki (Ed.). Narrative Complexity Cognition, Embodiment, Evolution (314−337). University of Nebraska Press. (Frontiers of Narrative Series).
3.2.
2019
Tikka, Pia; Bastamow, Tanja; Gerolin, Iga; Gerry, Lynda Joy; Pardinho, Victor; Kaipainen, Mauri; Kosunen, Ilkka. (2019). The State of Darkness: Non-human narratives embedded in the encounters with artificial agents. In: Lissa Holloway-Attaway and Néill O'Dwyer (Ed.). Non-Human Narratives. Carnegie Mellon Press [forthcoming].
5.1.
2019
Kosunen, Ilkka; Rosic, Jelena; Kaipainen, Mauri; Tikka, Pia (2019). Phenomenology of the Artificial. Drafting a Holistic Ontology of Experience for Affective Computing. ACII Cambridge 2019, September 4, 2019. Cambridge, UK: 8th International Conference on Affective Computing & Intelligent Interaction (ACII 2019), Cambridge, United Kingdom,.
5.1.
2019
Rosic, Jelena; Kosunen, Ilkka; Tikka, Pia (2019). From Lived experience to empirical data. Steps toward the Science of Embodied Cognition. ACII 2019, Cambridge, September 4, 2019. Campridge: 8th International Conference on Affective Computing & Intelligent Interaction (ACII 2019), UK,.
5.2.
2019
Tikka, Pia (2019). Narrative Sense-Making – A Neurocinematic Approach. In: INVITED TALK.26.03.2019 Frankfurt am Main, Germany.
5.2.
2019
Tikka, Pia (2019). Enacting Co-presence. KEYNOTE Interdisciplinary conference Acting the Future: Actor and Avatar conference. The Zürich University of Arts, ZHdK,.
1.1.
2018
Kauttonen, Janne; Hlushchuk, Yevhen; Jääskeläinen, Iiro P; Tikka, Pia; (2018). Brain mechanisms underlying cue-based memorizing during free viewing of movie Memento. NeuroImage, 172, 313−325.10.1016/j.neuroimage.2018.01.068.
1.1.
2018
Lankinen, Kaisu; Saari, Jukka; Hlushchuk, Yevhen; Tikka, Pia; Parkkonen, Lauri; Hari, Riitta; Koskinen, Miika; (2018). Consistency and similarity of MEG- and fMRI-signal time courses during movie viewing. NeuroImage, 173, 361−369.10.1016/j.neuroimage.2018.02.045.
1.1.
2018
Tikka, Pia; Kauttonen, Janne; Hlushchuk, Yevhen (2018). Narrative comprehension beyond language: Common brain networks activated by a movie and its script. PLoS ONE, 13 (7), e0200134−e0200134.10.1371/journal.pone.0200134.
1.2.
2018
Tikka, Pia; Kaipainen, Mauri (2018). Screendance as enactment in Maya Deren’s At Land [Republication]. DATJournal Design Art and Technology, 3 (1), 9−28.
5.2.
2018
Tikka, Pia; Pardinho, V; Bastamow, T; Kosunen, I; Tikka, Eeva R; Gerolin,I (2018). The State of Darkness -VR experience. International Conference for Interactive Digital Storytelling 2018: ICIDS2018, Art Exhibition. Trinity College, Dublin: Science Gallery,.
5.2.
2018
Tikka, P; Hannukainen, Jenni; Himberg, Tommi; Sams, Mikko (2018). Narrative priming of moral judgments in film viewing. International conference: Worlding the Brain Conference, Aarhus University. Aarhus University,.
5.2.
2018
Kondinska, A; Kosunen, I; Ajenaghughrure, IB; Becken, M.; Gerry, LJ; Tikka, P. (2018). The Booth: An Exploration of Enculturation Effects of Trust and Empathy towards Refugees. Worlding the Brain, 27-29 November 2018, Denmark. Aarhus University,.
5.2.
2018
Tikka, P (2018). Neurocinematics & Art-Science Collaboration. KEYNOTE Interdisciplinary art-sci conference: The Collaborative Turn in Art: The Research Process in Artistic Practice; October 19-20, 2018; Estonia. Estonian Academy of Arts,.
5.2.
2018
Tikka, p; Kaipainen, M (2018). Triadic epistemology of narrative experience. The Third Renewable Futures Conference: Hybrid Labs Symposium, Aalto Studios. Aalto University and Leonardo art-science network,.
5.2.
2018
Tikka, Pia; Jaroszewicz, Martin (2018). Enactive Virtuality - a framework for dynamically adaptive soundscapes. International conference CILECT: Sound and Storytelling,. Chapman University,.
5.2.
2018
Suomala, Jyrki; Hannukainen, J., Tikka, Pia; Kauttonen, Janne (2018). Tekoäly viestin luotettavuuden arvioijana. Media conference: Totuudenjälkeinen aika. Helsingin Sanomain Säätiö ,.
5.2.
2018
Tikka, Pia (2018). On Neurocinematics. International Brain Awareness Week. Tallinn University,.
6.3.
2018
Tikka, Pia; Onno, Kerli (2018). Movies that "read" your emotions [Filmid, mis "loevad"teie emotsioone]. TimeFlies Nordica pardaajakirj , talv/kevad, 68−69.
6.3.
2018
Tikka, P (2018). Cinema, storytelling and the mind. Lehtiset, 2.
6.7.
2018
Tikka, Pia; Kosunen, Ilkka (2018). Creating Autonomous Behavior of Virtual Humanlike Characters in Interaction with Human Participants. In: Industry engagement event.ACE International Producer network. Miltton and Aalto Studios.
6.7.
2018
Tikka, P; Pardinho, V (2018). Enactive Avatar. In: Industry engagement event.EEVR meet-up. Tartu University.
6.7.
2018
Tikka, P (2018). Neurocinematics. In: Tallinn University Day. Tallinn University.
5.2.
2017
Tikka, Pia (2017). Lighting the neural scene of storytelling - A neurocinematic approach. KEYNOTE International research-to-practice conference: Lighting Design. CLD ITMO University,.
5.2.
2017
Tikka, Pia (2017). Exploring the interdisciplinary frontiers of cinematic arts and sciences. KEYNOTE: CILECT conference: Transmedia & Interdisciplinary Approaches. ZHdK, Zürich ,.
1.1.
2016
de Borst, Aline W; Valente, Giancarlo; Jääskeläinen, Iiro P; Tikka, Pia (2016). Brain-based decoding of mentally imagined film clips and sounds reveals experience-based information patterns in film professionals. NeuroImage, 129, 428−438.10.1016/j.neuroimage.2016.01.043.
1.1.
2016
Lankinen, Kaisu; Smeds, Eero; Tikka, Pia; Pihko, Elina; Hari, Riitta; Koskinen, Miika; (2016). Haptic contents of a movie dynamically engage the spectator's sensorimotor cortex. Human Brain Mapping, 37 (11), 4061−4068.10.1002/hbm.23295.
3.1.
2016
Tikka, Pia; Kaipainen, Mauri; (2016). Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations. In: Douglas Rosenberg (_EditorsAbbr). The Oxford Handbook of Screendance Studies (303−320). Oxford University Press.
1.1.
2015
Kauttonen, Janne; Hlushchuk, Yevhen; Tikka, Pia (2015). Optimizing methods for linking cinematic features to fMRI data. NeuroImage, 110, 136−148.10.1016/j.neuroimage.2015.01.063.
3.1.
2015
Tikka, Pia; Kaipainen, Mauri; (2015). Embodied Protonarratives Embedded in Systems of Contexts: A Neurocinematic Approach. In: Michael Grabowski (_EditorsAbbr). Neuroscience and Media: New Understanding and Representations (76−88). Routledge.
3.2.
2015
Tikka, Pia; Kaipainen, Mauri; (2015). Phenomenological considerations on time consciousness under neurocinematic search light. In: Adriano D’Aloia and Ruggero Eugeni (_EditorsAbbr). Cinéma&Cie. Neurofilmology. Audiovisual Studies and the Challenge of Neuroscience (91−102). Mimesis International.
1.1.
2014
Boldt, Robert; Seppä, Mika; Malinen, Sanna; Tikka, Pia; Hari, Riitta; Carlson, Synnöve (2014). Spatial variability of functional brain networks in early-blind and sighted subjects. NeuroImage, 95, 208−216.10.1016/j.neuroimage.2014.03.058.
1.1.
2014
Tikka, Pia; Kaipainen Mauri; (2014). From naturalistic neuroscience to modeling radical embodiment with narrative enactive systems. Frontiers in Human Neuroscience, 8.10.3389/fnhum.2014.00794.
1.1.
2014
Salmi, Juha; Glerean, Enrico; Jääskeläinen, Iiro P; Lahnakoski, Juha M; Kettunen, Juho; Lampinen, Jouko; Tikka, Pia; Sams, Mikko; (2014). Posterior parietal cortex activity reflects the significance of others' actions during natural viewing. Human Brain Mapping, 35 (9), 4767−4776.10.1002/hbm.22510.
1.2.
2014
Tikka, Pia; Kaipainen, Mauri (2014). Phenomenological considerations on time consciousness under neurocinematic search light. Cinéma & cie : International film studies journal, XIV, 22−23.
3.1.
2014
Pugliese, Roberto; Tikka, Pia; Kaipainen, Mauri; (2014). Navigating story ontospace: Perspective-relative drive and combinatory montage of cinematic content. In: Raivo Kelomees and Chris Hales (_EditorsAbbr). Expanding Practices in Audiovisual Narrative (105−128). Cambridge Scholars Publishing.
3.4.
2014
Kauttonen, Janne; Kaipainen, Mauri; Tikka, Pia; (2014). Model of narrative nowness for neurocinematic experiments. OASIcs, 41, 77−87.
1.1.
2013
Boldt, Robert; Malinen, Sanna; Seppä, Mika; Tikka, Pia; Savolainen, Petri; Hari, Riitta; Carlson, Synnöve (2013). Listening to an audio drama activates two processing networks, one for all sounds, another exclusively for speech. PLoS ONE, 8 (5).
1.1.
2012
Tikka, P.; Väljamäe, A.; de Borst, A.W.; Pugliese, R.; Ravaja, N.; Kaipainen, M.; Takala, T. (2012). Enactive cinema paves way for understanding complex real-time social interaction in neuroimaging experiments. Frontiers in Human Neuroscience, NOVEMBER 2012, 1.10.3389/fnhum.2012.00298.
1.1.
2012
Pamilo, Siina; Malinen, Sanna; Hlushchuk, Yevhen; Seppä, Mika; Tikka, Pia; Hari, Riitta (2012). Functional subdivision of group-ICA results of fMRI data collected during cinema viewing. PLoS ONE, 7 (7).10.1371/journal.pone.0042000.
1.1.
2012
Lahnakoski, Juha M; Salmi, Juha; Jääskeläinen, Iiro P; Lampinen, Jouko; Glerean, Enrico; Tikka, Pia; Sams, Mikko (2012). Stimulus-related independent component and voxel-wise analysis of human brain activity during free viewing of a feature film. PLoS ONE, 7 (4).10.1371/journal.pone.0035215.
1.1.
2011
Tikka, Pia. (2011). Enactive Media – Generalizing from Enactive Cinema. Digital Creativity, 21 (4), 205−214.10.1080/14626268.2011.550028.
1.1.
2011
Kaipainen, Mauri; Ravaja, Niklas; Tikka, Pia; Vuori, Rasmus; Pugliese, Roberto; Rapino, Marco; Takala, Tapio; (2011). Enactive Systems and Enactive Media: Embodied Human-Machine Coupling beyond Interfaces. Leonardo Journal, 44 (5), 433−438.10.1162/LEON_a_00244.
1.1.
2010
Dumitriu, Anna; Holder, John; Tikka, Pia; Whitby, Blay (2010). Enactive Dialectics. Leonardo Journal, 43 (5), 484−485.10.1162/LEON_a_00044.
3.4.
2010
Vuori, Rasmus; Pugliese, Roberto; Kaipainen, Mauri; Tikka, Pia; Takala, Tapio; Ravaja, Niklas; (2010). The Media Fragment Envelope - A pragmatic approach for flexible annotation of multidimensional ontological metadata for generative media. Nordic Conference on Activity Theory. 171.
3.2.
2009
Tikka, Pia (2009). Tracing Tectology in Sergei Eisenstein’s Holistic Thinking. In: Vesa Oittinen (_EditorsAbbr). Aleksandr Bogdanov Revisited (211−234). Helsingin Yliopisto.
2.3.
2008
Tikka, Pia (2008). Enactive Cinema: Simulatorium Eisensteinense. Helsinki: University of Art and Design Publication Series.
1.1.
2006
Tikka, P.; Vuori, R.; Kaipainen, M. (2006). Narrative logic of enactive cinema: Obsession. Digital Creativity, 17, 4, 205−212.
3.1.
2006
Tikka, Pia (2006). Cinema as externalization of consciousness. In: Michael Punt and Robert Pepperell (_EditorsAbbr). Screen Consciousness: Mind, Cinema and World (139−162). Rodopi .
3.2.
2005
Tikka, Pia (2005). Dynamic emotion ecology in cinema. In: Mauri Ylä-Kotola & Sam Inkinen (_EditorsAbbr). Integrated Media Machine (103−126). Rovaniemi: Lapland University Press.
1.1.
2004
Tikka, Pia (2004). (Interactive) Cinema as a Model of Mind. Digital Creativity, 15 (1), 14−17.10.1076/digc.15.1.14.28151.
1.2.
2004
Tikka, Pia (2004). Biological basis of cinema. Leonardo Electronic Almanac, 12 (12).
1.3.
2002
Tikka, Pia (2002). Sergei Eisensteinin kuvakieli dynaamisen mielen näkökulmasta. Lähikuva, 26−41.
6.7.
1998
Tikka, Pia (1998). Sand bride (Hiekkamorsian, Fin).
6.7.
1995
Tikka, Pia (1995). Daughters of Jemenja [Yemanján tyttäret]. Tikka, Pia; Kuittinen, Tuuli.. Helsinki: s.n..
6.01.2020

Otsi projekti

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ProgrammLiikNumberNimiProjekti algusProjekti lõppVastutav täitjaAsutusFinantseerijapoolne rahastamine
1.1.7.4.1.TF1818 Biomeetriliste uuringute edendamine TLÜs 01.07.201831.12.2018Ilkka Johannes KosunenTallinna Ülikool10 000,00 EUR
MOBTTMOBTT90Koos-kehastumine narratiivses virtuaalreaalsuses - kolmese interaktsiooni mudel01.09.201731.08.2022Pia TikkaTallinna Ülikool, Balti filmi, meedia, kunstide ja kommunikatsiooni instituut662 049,50 EUR
1.1.7.4.1.TF3017 (TLÜ uuringufondi nõukogu 27.11.2017 otsus nr 7.1-17/7 )Pilveooper 27.11.201731.12.2019Liina KeevallikTallinna Ülikool, Balti filmi, meedia, kunstide ja kommunikatsiooni instituut5 000,00 EUR